In Coralie Fargeat's new feminist horror film The Substance, hazardous societal beauty criteria are actually the actual creatures. They (women objectification, the disposal of "the old," the expansion of an industry built on body customization) nourish a monster of a cycle that leads Demi Moore's fading TV personality character https://petergreenemovie.wikienlightenment.com/7199304/the_substance_2024